Creative Strategy & Concepting
Concepts built from customer reviews, support tickets and competitor teardowns, organised into named angles you can track performance against over time.
The best asset most companies in this metro own is a factory they have never pointed a camera at.
Delivered remotely for brands across St. Louis and Missouri.
Creative here has to solve two very different problems in the same engagement. On the paid side you need volume — enough distinct concepts each month to keep testing honest and fatigue at bay. On the storefront side you need accuracy, because a buyer choosing a fitting, a boot width or a gift box is making a decision from your photograph and will return the item if the photograph lied.
The volume side runs on process content. Machines, hands, materials, the quality check, the operator who has done this for twenty-two years. It is cheap to capture, impossible to fake and specific enough that it does not look like every other ad in the feed. We build a shot list around the operations you already run daily, so a single capture day produces months of cutdowns rather than one hero film.
The accuracy side is more technical and less glamorous. Consistent lighting and scale references across a large parts catalog. Fit and proportion shown honestly for footwear, leather and workwear, including on the range of body types who actually buy. Food shot as it arrives, not only as it is plated — because for a shipped-food brand the packaging shot answers the real objection, which is whether it survives the trip.
Shooting inside a working plant is a logistics exercise before it is a creative one. The line runs on a schedule, the interesting operation might happen twice a week, safety rules govern where a camera can stand, and the person who explains the process best is usually the one who cannot be pulled off the floor at short notice. We plan capture days around your production schedule rather than ours, brief a local crew properly so the day is not spent explaining what a cutaway is, and shoot for a defined set of concepts rather than gathering footage and deciding later. ConversionEX works from Albuquerque and directs these shoots remotely with crews sourced in the region — for food work that often means shooting on The Hill or in the client's own kitchen, for footwear and leather it means the workshop, and for industrial it means the floor. Direction, shot list, review and edit are ours; the camera is local, which is both cheaper and faster than flying a crew in.
The same standard of work we run for every client — applied to a St. Louis brand’s realities.
Full service detailConcepts built from customer reviews, support tickets and competitor teardowns, organised into named angles you can track performance against over time.
Twenty to forty static, motion and UGC assets a month in the aspect ratios each platform needs, structured for hook, format and angle testing.
Creator briefing, sourcing and management for authentic testimonial, unboxing and demo content, with usage rights secured for paid media.
Studio and lifestyle shoots covering PDP galleries, scale references, detail shots and the in-context imagery collection pages need to sell.
Product descriptions, collection copy, landing pages and email design written against the same positioning as the ads driving traffic to them.
Results rolled up by concept, hook and format so you learn which angles work, not just which files did. Winners get iterated, losers get retired.
We do not work off a rate card. Every St. Louis engagement starts with a fixed statement of work — named deliverables, named dates, one number — written after we have looked at your store, not before. If a smaller first step would serve you better, we will say so.
Get this scopedWe read your reviews, support tickets and post-purchase survey responses. The best hooks are already written by your customers in their own words.
Customer language becomes five to eight named angles, each with a clear promise and objection to answer. Angles get tested before production scales.
Studio shoots, creator content and motion design produced in monthly batches so cost per asset drops as volume rises.
Assets ship into a structured testing calendar with consistent naming, so performance can be read by concept and hook rather than by ad ID.
Winning angles get new hooks, formats and cuts. Fatigued assets get refreshed before performance decays instead of after.
“Same four ads had been running since January and our CPMs climbed every month we left them up. They shipped about thirty assets in the first month, and the part that mattered was the tagging — we could finally read performance by angle instead of by file name. Fitment anxiety beat every discount ad we have ever run. We would not have guessed that in a hundred brainstorms.”
Thirty minutes with the strategist who would actually run your account. We screen-share your store, read your data live, and tell you the three highest-value things we can see from the outside.
Prefer to write it out? [email protected] gets a real reply the same business day, Mon-Fri, 9am-6pm MT.