Creative Strategy & Concepting
Concepts built from customer reviews, support tickets and competitor teardowns, organised into named angles you can track performance against over time.
Content built for a 1080-pixel feed rather than a four-foot planogram, shipped on a schedule your ad account can consume.
Delivered remotely for brands across Cincinnati and Ohio.
Most Cincinnati brands already own a large photography library, and almost none of it works in an ad. It was commissioned for trade sell sheets, retailer portals and shelf-set renders: pack straight on, white background, label perfectly legible at print resolution. Those are the right images for a vendor form and the wrong images for a feed, where the product is the size of a thumbnail, the scroll speed is brutal and the job of the first frame is to stop somebody, not to be legible.
Performance creative for this category leans on a strength these brands have and rarely use. The product does something. It foams, pours, dissolves, spreads, sprays, sizzles, wipes clean. Demonstration is the highest-yielding format we produce for consumables, followed by comparison, then origin and process footage from a real production floor, then creator and customer content. Each of those is a repeatable format rather than a one-off shoot, which is what makes a monthly cadence economically sensible.
The work also has to serve the store, not just the ad account. Product pages need pack-in-hand scale shots, texture and ingredient macros, size comparison frames, and usage sequences that answer the questions a shopper would resolve by picking the box up. Copy is part of the same job: descriptions written around approved claims, structured so the page hierarchy matches the carton hierarchy, and reusable across the feed, the email programme and the marketplace listings you probably also maintain.
We run production remotely from Albuquerque and coordinate on the ground in Greater Cincinnati, which we would rather describe accurately than dress up. In practice that means we brief and direct local creators and photographers, or we shoot in batches when we travel out, and we design shot lists so a single production day yields several months of assets rather than one campaign. The city makes this easier than most: there is a deep bench of packaging and product photographers left over from decades of consumer goods work, food stylists who have worked on national accounts, and a real supply of usable locations — production floors in West Chester and Blue Ash, market stalls downtown, kitchens and taprooms in Over-the-Rhine, and residential interiors in Oakley and Hyde Park that read as ordinary American homes rather than as a set. Facility access is the constraint worth planning for, since a co-packer will have confidentiality and food-safety rules that decide what a camera can point at.
The same standard of work we run for every client — applied to a Cincinnati brand’s realities.
Full service detailConcepts built from customer reviews, support tickets and competitor teardowns, organised into named angles you can track performance against over time.
Twenty to forty static, motion and UGC assets a month in the aspect ratios each platform needs, structured for hook, format and angle testing.
Creator briefing, sourcing and management for authentic testimonial, unboxing and demo content, with usage rights secured for paid media.
Studio and lifestyle shoots covering PDP galleries, scale references, detail shots and the in-context imagery collection pages need to sell.
Product descriptions, collection copy, landing pages and email design written against the same positioning as the ads driving traffic to them.
Results rolled up by concept, hook and format so you learn which angles work, not just which files did. Winners get iterated, losers get retired.
We do not work off a rate card. Every Cincinnati engagement starts with a fixed statement of work — named deliverables, named dates, one number — written after we have looked at your store, not before. If a smaller first step would serve you better, we will say so.
Get this scopedWe read your reviews, support tickets and post-purchase survey responses. The best hooks are already written by your customers in their own words.
Customer language becomes five to eight named angles, each with a clear promise and objection to answer. Angles get tested before production scales.
Studio shoots, creator content and motion design produced in monthly batches so cost per asset drops as volume rises.
Assets ship into a structured testing calendar with consistent naming, so performance can be read by concept and hook rather than by ad ID.
Winning angles get new hooks, formats and cuts. Fatigued assets get refreshed before performance decays instead of after.
“Same four ads had been running since January and our CPMs climbed every month we left them up. They shipped about thirty assets in the first month, and the part that mattered was the tagging — we could finally read performance by angle instead of by file name. Fitment anxiety beat every discount ad we have ever run. We would not have guessed that in a hundred brainstorms.”
Thirty minutes with the strategist who would actually run your account. We screen-share your store, read your data live, and tell you the three highest-value things we can see from the outside.
Prefer to write it out? [email protected] gets a real reply the same business day, Mon-Fri, 9am-6pm MT.